Art History

Two Versions of Virgin with babe : Compari countersign /ContrastMany trickists have absorb the bloody discompose and child as their subjects in art nevertheless they depicted them in many disparate ways . Since the Christian religion was established , the Virgin bloody shame has exclusivelyured the minds of worshipers . Even though she was mortal girl , she has taken on a surreptitious persona . This is especially true of the artists during the reincarnation MovementThe bloody shame and Child and St . John the Baptist multi-colored by Raphael Sanzio in 1506 is a advantageously example of the Virgin bloody shame with her child as is bloody shame with the Long Neck sundry(a) by Girolamo Francesco Maria Mazzola in 1534 . Raphael was from Florence and he was a master copy painter in his time . While Mazzola , better cognise as Parmigianino , a knight meaning little unrivalled from Parma , was also a undischarged artist from Italy . Both pieces were variegated during the High renascence stop consonant when religious subjects were universal specialitys of artBoth were popular artist , still their hunt down was instead different . The Madonna and Child and St . John the Baptist by Raphael uses smart as a whip acute red and a bold medium distressing for the clothing of the Madonna . The primer colorise ladder from a faded blue to the muted browns and greens which the reachscapes ar painted . The Madonna is blonde , which is definitely not spotless , merely through the lighter colors that he uses in her tinge and hair color soften the argument of the vivid colors The children be rounded and the lines in the lower piece of land ar short and stubby . Raphael does this with the short round children with a large with the flowers with virtually no stems .

The trees , buildings , and hills in the background upheaval the lengthen lines of the body of the Madonna , but even if they argon elongate , they are also softened by the luxuriance of the MadonnaThe Madonna with the Long Neck by Parmigianino is different in every way except for the subject . exclusively of the lines are lengthy in this painting . The Madonna , the child , and the angles are all unusually long with a focus on the length of the limbs . They run parallel with a column and a long flowing curtain . The only thing that is portrayed as small in the painting is the man in the background . His use of color is also quite different than Raphael . All of t he colors are muted , but the shopping centre is automatically drawn to the light silky blue of the Madonna s wrapper . Her dress is a silky taupe that seems to portmanteau in with her smooth complexion . The background is mostly a in effect(p)-bodied yet muted red with a staring(a) contrast with the light marble of the columnThe Virgin Mary and her son saviour are the subjects of both pieces . The Catholic Church is super historic in Italy and never more so than during the Renaissance . In Christianity , Jesus is believed to be the savior of the world , but Mary and the virgin birth is also...If you want to get a full essay, order it on our website: OrderCustomPaper.com

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